Harmonica virtuoso Little Walter was a key contributor to bluesman Muddy Waters’ music through most of the 1950s. Both as a sideman and bandleader, Little Walter revolutionized the sound of blues harmonica through amplification, clasping a mike to the harp as he played. While he may not have been the first bluesman to play amplified harmonica, he explored its possibilities most fully. He was inarguably a musical genius. Little Walter could make an inexpensive, portable “mouth organ” moan and roar like a full horn section or produce an unearthly, haunting wail. Moreover, he was a tasteful and sympathetic accompanist. As journalist Robert Palmer wrote of Little Walter’s contribution to Waters’ music, “The harp lines wrapped themselves around Muddy’s vocals, now chording like an organ, now filling melodically like a horn.”
Little Walter was born Marion Walter Jacobs in rural Louisiana. Little Walter made his way north to Chicago via stops in New Orleans and Monroe, Louisiana; St. Helena, Arkansas; Memphis, Tennessee; and St. Louis, Missouri, arriving in the Windy City in 1947. That same year, he made his first recordings for the local Ora Nelle label. Little Walter and Muddy Waters first appeared on a session together when both backed Jimmy Rogers in 1949. Waters backed Little Walter on a session for Parkway Records in January 1950. That August, Little Walter first backed Muddy for the Chess label, and in October, they recorded the Waters classic “Louisiana Blues.” Nearly a year after Little Walter’s initial appearance on a Muddy Waters session for Chess, he used an amplified harmonica for the first time on a groundbreaking July 1951 session that yielded “She Moves Me.” Waters was among the earliest to recognize that blues possessed a formidable power when electrified, and with Jimmy Rogers on electric guitar and Little Walter on amplified harp, he had the hottest blues band in Chicago. Little Walter split from Waters’ band after an instrumental showcase of his that was popular with crowds – “Your Cat Will Play,” retitled “Juke” when he recorded it – became a huge solo hit. A classic juke-joint instrumental, “Juke” topped the R&B chart for eight weeks in the fall of 1952.
In addition to harmonica, Little Walter played guitar, sang and wrote songs. He recruited a backing band from the Chicago club scene (whom he rechristened the Jukes, after his big song), and they recorded and toured throughout the Fifties. On his own, Little Walter charted 14 Top Ten R&B hits for the Chess label’s Checker subsidiary. One of these, “My Babe” – written by Willie Dixon and featuring the melody from the spiritual “This Train” – went to Number One. Other sizable hits from Little Walter included “Sad Hours,” “Mean Old World,” “Blues With a Feeling,” “You’re So Fine,” “Oh, Baby” and ‘Last Night.” At Leonard Chess’s behest, Little Walter continued recording with Muddy Waters, too, adding his unmistakable harmonica to such classics as “I’m Your Hoochie Coochie Man” and “Trouble No More.”
Little Walter’s had a pervasive influence on succeeding generations of harmonica players, especially in Britain, where he was revered by a rising generation of blues-smitten rock and rollers. Unfortunately, his predilection for drinking, fighting and self-destructive behavior caught up with him. Little Walter died in 1968, at the age of 37, from head injuries suffered in a street brawl.
Article Reprinted from The Official Website of the Rock and Roll HOF